Three Boldly Personal Visions of Black History in a Great New Film Series

Richard Brody writes about three films—Julie Dash’s “Daughters of the Dust,” from 1991, Haile Gerima’s “Sankofa,” from 1993, and Zeinabu irene Davis’s “Compensation,” from 1999—that will screen at the Brooklyn Academy of Music as part of the series “Black 90s: A Turning Point in American Cinema.”

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